Seijun Suzuki’s The Taisho Trilogy marks the apex of his artistic idiom, a style that is totally detached from his previous works of B-quality yakuza quickies. The trilogy successfully reinstates Suzuki as a virtuoso filmmaker after he fell out with the studio and went independent.
剧作家为了一场梦中的相约殉情的情书，为了桥上与鬼魂一见钟情的幻影，来到金泽的湖畔面对这两位梦中情人的财主丈夫，无政府主义狂徒，阳炎剧场中的赤鬼和来自地狱的画外音。这些死亡的威胁，丈夫猎杀偷情者的猎枪，把剧作家逼到生死的，菩萨与恶鬼的边缘，情人为了用爱打败丈夫和他的前妻而自杀死去，留下仍旧想活着的剧作家跪倒在地，目睹阳炎剧场的倒塌。
“阳炎”指的就是炎热天气时蒸腾的热浪气流，在这美丽的金泽湖畔的阳炎剧场，一切也都像这海市蜃楼，热浪蒸腾中的浮光掠影一般，只剩幽灵和梦幻泡影。
阳炎座：接受批评指正
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