恐怖稻草人2

平凡的叙事电影。对于多数人来讲是枯燥乏味的。前半部分有些拖沓，没有很好的表现出兄弟二人感情由浅入深的过程。直到二人被拘留，莱恩被同性恋打伤开始，才有点儿难兄难弟的味道。之所以给四星是因为有两个地方让我挺感动的。一是莱恩盼望已久与妻子和孩子团圆终于要实现，当他到了门口发现有些不对劲，于是就到附近的电话亭，想先打个电话探探底。当他得知妻子早已改嫁，孩子在一次事故中不幸流产的时候，顿时感到天崩地裂，同时也陷入了深深的自责中。他看看电话亭外为他打气的马克思时

看过一些公路片之后，会对这个题材的套路有些见头知尾，导演往往特别想通过一对搭档的一段旅程作为横切面，去展示电影拍摄时的社会，所以很多时候是会出现一些非常刻意的煽情、逗乐、深沉等等。
这个电影导演我怀疑是个有内向敏感特质的人，或许还有点同性倾向，因为台词和人物表现上会时不时让我的雷达滴滴一下。比如，麦克斯和妹子睡完，第二天说做爱有益身体健康。莱恩问麦克斯，你之前所在的地方没有女人，那你们怎么做爱？麦克斯无语。再比如，他趁着麦克斯分神的时候做女步跳舞

Jerry Schatzberg (born June 26, 1927 in Bronx, New York) is a photographer and film director. He photographed for magazines such as Vogue, Esquire and McCalls. He made his debut as a feature film director with 1970's Puzzle of a Downfall Child starring Faye Dunaway. He went on to direct films such as Scarecrow, which won the grand prize at the Cannes Film Festival in 1973, Seduction of Joe Tynan, Honeysuckle Rose with Willie Nelson, Misunderstood, Street Smart in 1987, and The Panic in Needle Park, which starred Al Pacino.［1］
He was a member of the jury at the Cannes Film Festival in 2004.
As a still photographer, one of Schatzberg's most famous images was the cover photo of the Bob Dylan album Blonde on Blonde, released in 1966. A collection of Schatzberg's images of Dylan was published by Genesis Publications in 2006, titled Thin Wild Mercury.

紧凑！被击碎的稻草人哲学
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