德·昆西

3月25日，「和观云影院」于28号厅放映《昆西四季》。
作家、译者光哲与btr做客影厅，畅聊《观看之道》对他们的触发，解读何为说故事的人，诉说散文电影里的伯格肖像，共同回忆这位「彪悍的」跨文体写作者。
和观放映员将本期映后交流整理如下，供大家重温影片，细细品味 :-D
伯格肖像
#伯格肖像
Q：请问对《昆西四季》的总体印象如何？
btr：我是2017年上海国际电影节看的这部纪录片，它的英文片名叫“Four Portraits of John Berger”，影片通过昆西的四季变化（冬、春、夏、秋）来展现约翰·伯格的肖像

1 Ways of Listening
约翰·伯格去世后，《昆西四季》成为了他最后的记录。这部纪录片和作家本身都涉及了太宽泛的议题，难以真正去评论它。更何况他似乎是老套过时了，青年们不再认为做他的粉丝是一件”高级”的事，反倒是女演员蒂尔达成为了影片的卖点。
目前看到的评论都是比较通俗稳妥的做法：根据影片中出现的线索寻找到相应的伯格的书籍和思想，譬如第一部分Ways of Listening显然对应Ways of Seeing，第二部分Spring当中的动物则是Why Look at Animals？事实上影片中随处可见的美妙句子

in the monopolistic religions, i mean，there is this notion of Heaven and Hell. Different interpretations but these two categories. And it's worth asking the question are the following. It's in Hell where solidarity is important,not in Heaven,isn't it?
“在道德观念强烈的宗教里，有天堂和地域的概念。会有不同的表述，但是就这两个类别。有个值得一问的问题就是，在地域里，团结才重要，而不是在天堂，对吗？”
喜欢Tilda 读的声音
The Seventh (A hetedik)
Attila József

●所有照片都是造访的一种方式，或是缺席的一种表达。
●我觉得我们好像前世就认识或共事过，约好在此世相遇，在同一车站下车，但没有商量好时间。
●每头狮子既属于狮群又独立存在，每头牛归于牛类又个性分明。动物被支配同时也被崇拜，这可能是首个存在主义二元论。
●不确定感和希望有关联。
●纵向的连续性：我们生活在一个可以无限延展的时代，但在昆西小镇，这种延展是纵向的，尽头是死亡。
●只要你懂得倾听，故事会不断向你涌来。
● 很简单地，当你踩下油门，你的机车飞驰出去。顺着你的视线望去

Random Notes taken during the screening at Seattle International Film Festival
-1-
One week before Christmas they met in Quincy
he looked at her for at least two minutes before speaking
she listened to his childhood stories attentively and asked questions
peeling apples in the character of his perished father
just like her father who lost his leg to the tank
or maybe, from falling off the ladder
History cannot have its tongue cut off
those flushed away shall come back
-2-
Each lion was a lion, and each fox was a fox.
Why looking at animals
because a ten-year-old cow is already old
because a goat outlives its owner
because we are naked before the gaze of cats and dogs
Can animals comprehend death?
-3-
Play a political song on the radio of art
against the dictating voice on the psychopath
Hope has nothing to do with optimism
truth are most easily told in silence

昆西四季：A Seventh Man
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