喜福会中文版

真的是被低估了的一部冷门电影
如果不是综英老师推荐 我还真发现不了这么一部好电影
资源不大好找
已经打算在百度云下好 在迷茫的时候回顾回顾了
里面确实包含一些东方主义的隐晦 但就女性和母女家庭关系角度来看 这确实是一部好电影 里面的女主人公也都美得各有特色
电影开头有点儿不太能看下去 感觉演员的演技有点做作 可能是上世纪九十年代的原因
但慢慢看着就入迷了
每个母亲的故事都充满了心酸和旧时代的血泪
但往往悲剧都延续到了女儿的身上
好在最后母亲和女儿都达到了和解与神通

2017年11月11日与宿舍1，林多阿姨的故事：要学会自己掌控自己的命运，林多阿姨的女儿：学会和父母沟通。2莹莹阿姨：远离渣男，别伤害自己，莹莹阿姨的女儿：放弃不喜欢的，追求自己想要的。3安美阿姨：父母永远都是爱孩子的，对欺负的自己人要变坚强打倒他，安美阿姨的女儿：懂得珍惜自己，看清自己的价值。4君的母亲：永远永远永远不要放弃希望

Since Jon M. Chu’s CRAZY RICH ASIANS (2018) has made a big splash in the box office, jubilantly boasting a Hollywood movie with major Asian cast and providentially heralding more to come, one should not forget its antecedents, however far and few between, Wayne Wang’s THE JOY LUCK CLUB is another pillar of Asian-American representation, only hardly can its heartfelt mother-daughter bonds warm the cockles of our hearts when its jaundiced opinions about China also insidiou

“我们宛如上楼梯，一步又一步，或上或下，永远重复着相同的命运。”
和一起看电影的朋友讨论，“网上说原作的主题是讲时代背景下的中西方差异，电影的主题是讲古今女性命运境遇的不同”，我说我不认同，我看到的更多的是家族母女命运的共性，基因里厚重的传承。
四个故事，四个母女两代或三代人的故事，故事情节和反映的社会现实、情感宿命的东西大部分与男性无关。四个母亲都有各自悲惨的遭遇，像是“中国”所特有的， 家族基因、成长环境、境遇影响了她们的一生，也分别影响了四个女儿，我属于悲观的

The old woman remembered a swan she had bought many years ago in Shanghai for a foolish sum. This bird, boasted the market vendor, was once a duck that stretched its neck in hopes of becoming a goose, and now look!—it is too beautiful to eat.
Then the woman and the swan sailed across an ocean many thousands of li wide, stretching their necks toward America. On her journey she cooed to the swan: "In America I will have a daughter just like me. But over there nobody will say her worth is measured by the loudness of her husband's belch. Over there nobody will look down on her, because I will make her speak only perfect American English. And over there she will always be too full to swallow any sorrow! She will know my meaning, because I will give her this swan—a creature that became more than what was hoped for."

《喜福会》真实的爱情片 异国女性的史诗
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